RRhetoric
← All passagesThe Rhetoric Reader

Passage 070 · 1915

"The Love Song of J. Alfred Prufrock"

T.S. Eliot · Poetry: A Magazine of Verse · Selected passage

hover or select a marked phrase · click to keep its explanation open
Let us go then, you and I,
When the evening is spread out against the sky
Like a patient etherized upon a table

Main effectThrough cohortative imperative, passive patient-evening, and clinical simile, Eliot creates modernist anti-romanticism. Form performs disillusion—syntax that sets up romantic expectation (evening against sky) then violates it through simile. Grammar as modernist shock.

Device index

Hover over a device to highlight its words. Select it to keep the explanation open.

Tropes

SimileSIM-ih-lee

Explicit comparison.

Direct Addressduh-REKT uh-DRES

Speaking to specific addressee.

Schemes

Enjambmenten-JAM-ment

Sentence continuing across line breaks.

No words highlighted

Syntax

Cohortative Imperative

"Let us go"—first person plural imperative suggests mutual action. Not "I will go" or "You should go" but "Let US go"—syntax creates partnership.

Temporal Adverb

"then"—suggests this follows from something (unstated). Syntax implies previous conversation or thought.

Appositive Pronounsap-uh-ZISH-un / ˌæpəˈzɪʃən

"you and I"—appositives to "us," making explicit who "us" includes. Creates intimacy through grammatical specification.

Temporal Clause

"When the evening is spread out"—subordinate temporal clause sets scene. The passive voice "is spread out" makes evening the patient, not agent.

Shocking SimileSIM-ih-lee / ˈsɪməliː

"Like a patient etherized upon a table"—prepositional phrase introduces simile that subverts romantic expectations. Syntax is conventional (Like X upon Y) but content is modernist shock. The past participle "etherized" suggests medical procedure, unconsciousness. Syntax through verb choice transforms romantic evening into clinical scene.

Close reading

1Close Reading

Cohortative Imperative

"Let us go"—first person plural imperative suggests mutual action. Not "I will go" or "You should go" but "Let US go"—syntax creates partnership.

Temporal Adverb

"then"—suggests this follows from something (unstated). Syntax implies previous conversation or thought.

Appositive Pronouns

"you and I"—appositives to "us," making explicit who "us" includes. Creates intimacy through grammatical specification.

Temporal Clause

"When the evening is spread out"—subordinate temporal clause sets scene. The passive voice "is spread out" makes evening the patient, not agent.

Shocking Simile

"Like a patient etherized upon a table"—prepositional phrase introduces simile that subverts romantic expectations. Syntax is conventional (Like X upon Y) but content is modernist shock.

The past participle "etherized" suggests medical procedure, unconsciousness. Syntax through verb choice transforms romantic evening into clinical scene.

Stylistic Effect

Through cohortative imperative, passive patient-evening, and clinical simile, Eliot creates modernist anti-romanticism. Form performs disillusion—syntax that sets up romantic expectation (evening against sky) then violates it through simile. Grammar as modernist shock.