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Passage 089 · 1985

"The Handmaid's Tale"

Margaret Atwood · The Handmaid's Tale · Selected passage

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Night falls. Or has fallen. Why is it that night falls, instead of rising, like the dawn? Yet if you look east, at sunset, you can see night rising, not falling; darkness lifting into the sky, up from the horizon.

Main effectThrough tense uncertainty, rhetorical questioning of idiom, and syntactic reversal of rising/falling, Atwood creates grammar of resistance—language that questions even basic metaphors, refusing to accept conventional descriptions of reality.

Device index

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Tropes

Correctiokor-REK-tee-oh

Self-correction.

Rhetorical Questionrih-TOR-ih-kul KWES-chun

Question not requiring answer.

Schemes

Antithesisan-TIH-thuh-sis

Balanced opposition.

Syntax

Intransitive Verb

"Night falls"—subject-verb, simple present. Syntax uses conventional metaphor.

Perfect Tense Correctionkor-REK-tee-oh / eh-pan-or-THOH-sis

"Or has fallen"—present perfect suggests completion at unspecified time. Syntax introduces temporal uncertainty.

Interrogative Why

"Why is it that night falls"—cleft sentence in interrogative form. Syntax foregrounds the question, making familiar phrase strange.

Adversative Yet

"Yet if you look east"—conditional clause introduced by adversative. Syntax pivots from question to observation that contradicts convention.

Participial Reversal

"darkness lifting into the sky, up from the horizon"—present participle with directional prepositionals. Syntax reverses expected downward motion.

Close reading

1Close Reading

Intransitive Verb

"Night falls"—subject-verb, simple present. Syntax uses conventional metaphor.

Perfect Tense Correction

"Or has fallen"—present perfect suggests completion at unspecified time. Syntax introduces temporal uncertainty.

Interrogative Why

"Why is it that night falls"—cleft sentence in interrogative form. Syntax foregrounds the question, making familiar phrase strange.

Adversative Yet

"Yet if you look east"—conditional clause introduced by adversative. Syntax pivots from question to observation that contradicts convention.

Participial Reversal

"darkness lifting into the sky, up from the horizon"—present participle with directional prepositionals. Syntax reverses expected downward motion.

Stylistic Effect

Through tense uncertainty, rhetorical questioning of idiom, and syntactic reversal of rising/falling, Atwood creates grammar of resistance—language that questions even basic metaphors, refusing to accept conventional descriptions of reality.